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A Single Note | Randy Gibson profiled in the New York Times | 2017

Randy Gibson, the composer of <em>The Four Pillars Appearing From the Equal D Under Resonating Apparitions of the Eternal Process in the Midwinter Starfield</em>, at his home studio in Brooklyn.
Randy Gibson, the composer of The Four Pillars Appearing From the Equal D Under Resonating Apparitions of the Eternal Process in the Midwinter Starfield, at his home studio in Brooklyn. | Photo by Todd Heisler/New York Times

A Single Note | Randy Gibson profiled in the New York Times | 2017

Seth Colter Walls profiles Randy Gibson for The New York Times

"As is sometimes the case with outwardly unvaried Minimalist music, the texture emerges from the overtones, the frequencies that sound above fundamental notes (in this case, those seven Ds on the piano). Mr. Gibson’s electronic design for the piece highlights these naturally occurring acoustic phenomena, making their ghostly quality more easily perceived."

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