Textura Interview about *Apparitions of The Four Pillars*

″Mounting The Four Pillars″


June 13th, 2014


Last month, I had the pleasure to be interviewed by Textura about my work Apparitions Of The Four Pillars.

Read the full interview here which includes an excerpt of the work itself.

I like the idea of a recalibration; that's really what it is. And I think this is one of the reasons I choose to include the approximate duration in the program. One of La Monte's most famous tenets is that “Tuning Is A Function Of Time,” and I try to keep that in mind when I'm performing. As Terry Riley has said, “Western music is fast because it's not in tune,” but if you look at Indian music, you see the tempo slow. The majestic alap of a well-rendered raga is stunning, and duration becomes an aspect there. One of my favourite concepts, and one that I return to over and over is from the alap of a raga, a concept called bhadat where each pitch is systematically introduced, slowly, and one-at-a-time, ascending the scale. I take this practice now as a method of structuring the chords of my work. Each subsequent chord introduces a single new pitch, and it's our job as performers to set that up so that when it happens, it seems like the logical next step and emerges naturally from the sound world we've built up. We don't even use the full scale available to us in this work until well past the two-hour mark. That's how I'm dealing with time on a grand scale.


See Also:
The Third Pillar in Primal Imperfect Palindrome with The Souvenir of The Second Pillar, The Floating Cirrus over the Pumping Slush, and The Highest Moving Chordal Motif from Apparitions of The Four Pillars | Live Performance, Trombone, Sine Waves, Harmonic Delay Structures, Time | January, 2018
Festival Time | news item | February, 2014
The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition | Sine Waves | February, 2016
Nada Symmetry for The Midwinter Starfield | Voice, Saxophone, Sine Waves, and Pre-Recorded Tracks | November, 2015
Apparitions of The Four Pillars with Their Lowest Additive Primes as limited to the 3rd, 7th, 9th, and 11th New Primes chosen Cyclically, The Toll of Premonition, The Memorial Connector over the Outlying Primal Abyss, and The Mid-Winter Ending | Just Intonation Toy Organs, Variable Pitched Instruments, Prime Harmonic Sine Waves and Harmonically Related Delay Lines | November, 2010
Apparitions of The Four Pillars with Their Lowest Primes, The Premonition of The Second Rung, and The Third Rung Connector | Just Intonation Toy Organs, Variable Pitched Instruments, Prime Harmonic Sine Waves and Harmonically Related Delay Lines | October, 2009
Mounting The Four Pillars | Randy Gibson interviewed for Textura | review | 2014