Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence

2014 - 2016 | Ensemble and Symmetrical Harmonic Sine Waves | ca. 190 Minutes

Presented in a setting of Quadrilateral Starfield Symmetry A:L Base 11:273


Read The Program Notes


Reviews

| 2016

Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence
Rebecca Lentjes brings historical insight to the Apparitions experience for I Care If You Listen

″Gibson's work engages with rhythms and temporality existing outside of our socially-constructed rhythms, offering a glimpse of time outside of time.″

Read More...
in a setting of Quadrilateral Starfield Symmetry A:L Base 11:273 in a light environment by Kryssy Wright: The 181 Profusion

World Premiere: Avant Music Festival - Wild Project, New York, NY - March 5th, 2016
Premiered by: Randy Gibson - Voice, Sine Waves
Jen Baker - Trombone, Voice
Meaghan Burke - Cello, Voice
Carlos Cordeiro - Bass Clarinet
David Lackner - Saxophone, Voice
William Lang - Trombone, Voice

Read The Program Notes


Reviews

| 2016

Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence
Rebecca Lentjes brings historical insight to the Apparitions experience for I Care If You Listen

″Gibson's work engages with rhythms and temporality existing outside of our socially-constructed rhythms, offering a glimpse of time outside of time.″

Read More...

Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence represents a major evolution in the Apparitions of The Four Pillars family of works. The work further reduces the performance complexity allowing the performers to focus entirely on sustaining and highlighting elements of the core tuning structures of the work.

The work is presented in a new video and light environment, Quadrilateral Starfield Symmetry A:L Base 11:273 in The 181 Profusion, created by Gibson with the lighting designer Kryssy Wright which aids the musically psychic journey of the performance.


Part of the Constellations:

72:81:88 | 2016 - 2017

The Starfield Symmetry | 2012 - 2016

Voices of The Four Pillars | 2011 - 2016


Presentation History
Seventh Avant Music Festival | New York City : February 20 - March 5, 2016

See Also:
Nine Minutes for The Four Pillars in duet with The Paris Drones recalling The Midwinter Starfield Theme | Violin and Single-Channel Electronics | 2012
The Third Analog Pillar with its Lowest Primes and The Ersatz Souvenir of The Second Pillar with The High Madora Cornerstone and The Outlying Primal Abyss from Apparitions of The Four Pillars | Prime Harmonic Sine Waves, Just Intonation Toy Organ, Voices, Cassette Boomboxes, to be recorded on Cassette Tapes | 2010
The First Pillar Imploding The Principal Drone Under The Addition Of 9 In Melodic Counterpoint From Apparitions Of the Four Pillars | Voice and Pitch Shifting Vocal Drones to be recorded on Cassette Tapes | 2013
The First Pillar Appearing in Palindrome with The Harbinger of The Second Pillar under the 27/28 Triple Primal Region | Voice and Sine Waves with Digital Delay | 2011
The Third Pillar with its Lowest Primes, The Analog TwentyFour Truckera, and The Ersatz Souvenir of The Second Pillar with The Madora Cornerstone and The Outlying Primal Abyss from Apparitions of The Four Pillars | Prime Harmonic Sine Waves, Just Intonation Toy Organ, Voice, Cassette Boomboxes | 2010
The First Analog Pillar with its Simplest Primes and The Harbinger of The Second Pillar with The Low Madora Cornerstone and The Outlying Primal Cirrus from Apparitions of The Four Pillars | Prime Harmonic Sine Waves, Just Intonation Toy Organ, Cassette Boomboxes, to be recorded on Cassette Tapes | 2010
Apparitions of The Four Pillars with Their Lowest Additive Primes as limited to the 3rd, 7th, 9th, and 11th New Primes chosen Cyclically, The Toll of Premonition, The Memorial Connector over the Outlying Primal Abyss, and The Mid-Winter Ending | Just Intonation Toy Organs, Variable Pitched Instruments, Prime Harmonic Sine Waves and Harmonically Related Delay Lines | 2010