The Four Pillars Appearing from The Resonating Discs invoking The 72:81:88 Confluence

2017 | three percussionists and harmonic resonators | 81 Minutes


Randy Gibson's <em>Quadrilateral Starfield Symmetry ATS4 Base 6:81</em>
Randy Gibson's Quadrilateral Starfield Symmetry ATS4 Base 6:81 | Render Still

Reviews

NY Times: A Single Note | 2017

Seth Colter Walls profiles Randy Gibson for The New York Times

"As is sometimes the case with outwardly unvaried Minimalist music, the texture emerges from the overtones, the frequencies that sound above fundamental notes (in this case, those seven Ds on the piano). Mr. Gibson’s electronic design for the piece highlights these naturally occurring acoustic phenomena, making their ghostly quality more easily perceived."

Read More...
Commissioned by Avant Media
For TIGUE

World Premiere: Wild Project, New York City - April 11th, 2017
Premiered by: TIGUE:
Matt Evans
Amy Garapic
Carson Moody
Randy Gibson's <em>Quadrilateral Starfield Symmetry ATS4 Base 6:81</em>
Randy Gibson's Quadrilateral Starfield Symmetry ATS4 Base 6:81 | Render Still

Reviews

NY Times: A Single Note | 2017

Seth Colter Walls profiles Randy Gibson for The New York Times

"As is sometimes the case with outwardly unvaried Minimalist music, the texture emerges from the overtones, the frequencies that sound above fundamental notes (in this case, those seven Ds on the piano). Mr. Gibson’s electronic design for the piece highlights these naturally occurring acoustic phenomena, making their ghostly quality more easily perceived."

Read More...

Presentation History
Resonating Apparitions | New York City : April 11th, 2017

See Also:
Circular Trance Surrounding The Second Pillar with The Highest Seventh Primal Cirrus, The Utmost Fundamental, and The Ekmeles Ending from Apparitions of The Four Pillars | seven voices and prime harmonic sine waves | 2011
Nada Symmetry for The Midwinter Starfield | voice, saxophone, sine waves, and pre-recorded tracks | 2015
The Primal Duet in The Starfield Symmetry | sine waves, voice, and trombone | 2014
The Third Pillar in Primal Imperfect Palindrome with The Souvenir of The Second Pillar, The Floating Cirrus over the Pumping Slush, and The Highest Moving Chordal Motif from Apparitions of The Four Pillars | solo trombone, digital delay, and prime harmonic sine waves | 2011
Apparitions of The Four Pillars with Their Lowest Additive Primes as limited to the 3rd, 7th, 9th, and 11th New Primes chosen Cyclically, The Toll of Premonition, The Memorial Connector over the Outlying Primal Abyss, and The Mid-Winter Ending | evolving composition model for just intonation toy organs, variable pitched instruments, prime harmonic sine waves and harmonically related delay lines | 2010
The First Pillar Imploding The Principal Drone Under The Addition Of 9 In Melodic Counterpoint From Apparitions Of the Four Pillars | voice and pitch shifting vocal drones to be recorded on cassette tapes | 2013
The Four Pillars Appearing from The Equal D under Resonating Apparitions of The Eternal Process in The Midwinter Starfield | equal tempered piano and harmonic resonators | 2014