Apparitions of The Four Pillars with Their Lowest Additive Primes as limited to the 3rd, 7th, 9th, and 11th New Primes chosen Cyclically, The Toll of Premonition, The Memorial Connector over the Outlying Primal Abyss, and The Mid-Winter Ending

2010 | evolving composition model for just intonation toy organs, variable pitched instruments, prime harmonic sine waves and harmonically related delay lines | 110 Minutes


with video by Oscar H Scott and lighting design by Kryssy Wright

World Premiere: Avant Music Festival - Wild Project, New York, NY - February 11th, 2011
Premiered by: Randy Gibson, Just Intonation Toy Organs; Will Lang, Trombone; Drew Blumberg and Catherine McCurry, Violins; Mariel Roberts, Cello

Presentation History
Second Avant Music Festival | New York City : February 11 - 19, 2011

See Also:
The First Pillar Exploding The Upper Drone With The Violin Analogue, The Nestled Melodic 27, and the Apparition Of The Eternal Tonic From Apparitions Of The Four Pillars | voice and pitch shifting vocal drones to be recorded on cassette tapes | 2013
The First Pillar Appearing in Palindrome with The Harbinger of The Second Pillar under the 27/28 Triple Primal Region | voice and sine waves with digital delay | 2011
Circular Trance Surrounding The Second Pillar with The Highest Seventh Primal Cirrus, The Utmost Fundamental, and The Ekmeles Ending from Apparitions of The Four Pillars | seven voices and prime harmonic sine waves | 2011
Descending The Starfield Symmetry | double bass, long delay lines, and symmetrical harmonic sine waves | 2015
The Primal Duet in The Starfield Symmetry | sine waves, voice, and trombone | 2014
The Third Pillar with its Lowest Primes and Memories of The Second Pillar from Apparitions of The Four Pillars | composition based in Apparitions of The Four Pillars for prime harmonic sine waves, soloists and cantus firmus | 2010
Apparitions of The Four Pillars (First Generation) | evolving composition model for just intonation toy organs, variable pitched instruments, prime harmonic sine waves and harmonically related delay lines | 2009-2015